FEELING NOSTALGIA

FEELING NOSTALGIA

*ມົນຮັກຝັງໃຈ *, an Indian movie dubbed in Lao/Thai, left a lasting impact on my life while growing up in Vientiane and Pakse, Laos. During a time when cultural exposure was limited, this vibrant film—with its powerful storytelling, music, and emotions—felt like a revelation. The songs, especially, resonated deeply, becoming the soundtrack of my youth and shaping my love for cinema and music. Decades later, the film remains a cherished memory, evoking nostalgia and reminding me of how art can transform our worldview and connect us to something greater.

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LEGACY: RECLAIMING LAND AND FUTURE

LEGACY: RECLAIMING LAND AND FUTURE

In Laos, unexploded bombs from past wars continue to kill and devastate families. Keo, a young boy, dies in an explosion, leaving his father Oad heartbroken. Noy mourns her daughter Phet, another UXO victim. Fear defines daily life, as farmers and children risk their lives tending fields or playing outdoors. Despite this, communities work together to clear land and teach safety, aided by foreign volunteers. Elders demand justice, but accountability remains elusive. Through resilience and hope, survivors strive to reclaim their land and future, refusing to let the legacy of war define them forever.

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LOOSING MY RELIGION

LOOSING MY RELIGION

The Laotian diaspora faces a growing challenge in preserving its cultural heritage as older generations pass away and younger ones become increasingly assimilated into their host countries. Traditional ceremonies, such as weddings, housewarming rituals, and newborn blessings, are at risk of being lost due to the lack of skilled **masters of ceremonies (MCs)**—key figures who ensure the authenticity and structure of these events. Without MCs, many families opt for simpler, Western-style celebrations, leading to a decline in cultural practices. Additionally, traditional folk arts like **Lam Vong** (circle dancing) and **Mor Lam** (folk music) are now rarely seen outside of temple festivals or weddings, as younger generations show less interest in these less popular art forms. Efforts to preserve Laotian culture include community workshops, intergenerational learning, and the use of digital platforms to share traditions. However, sustaining this heritage requires training new MCs, promoting cultural education, and revitalizing folk arts to engage younger generations and ensure that Laotian traditions remain a vibrant part of the diaspora’s identity.

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BOUNKHAM SITHIDETH

BOUNKHAM SITHIDETH

e-loaded classic country song by Bounkham Sitthideth. Always wanted to meet him in person.

The 30-year plus career of Laotian country godfather is celebrated with anthology of his own classic hit songs. A distinguished career in military and accomplished entertainer has made Bounkham Sitthideth arguably unique individual. This collection is “Xieng Khen Lao “includes chart-toppers like Xieng Khen Lao, Pouchan, Kaur Pen Fan, Jood Neaung, Sao Baan Gurn….

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MAZ

MAZ

MAXIMUM OR MAZ The latest track from three members of Vientiane boy band known as“Maxizmum” or simply known as “MAZ” has just been released.  “Dejavu” is pop electronic song and it’s produced by Lao outstanding sing/song writer Zamio P. “Back in 2007 they were known as L.A. 5. There were five members: Alee, Xay, Lid, Tom and Morng.  They released debut album through Lao Art Media Music Company following up with an electrifying series of…

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MAOMUN MUSIC

MAOMUN MUSIC

Excellent songs have been released by this group of friends who are from different professions coming together to form music group known as Mao Mun. Peth, Alex Smoke, E.I.P x J.O.E make up Moa Mum.
Songs such as “ໃຫ້ອ້າຍໄປສົ່ງ” in English meaning “I’ll Take You Home”, a fusion of folk and house music is an awesome song! “I Like You” ( ມັກເຈົ້າ ) is another song which almost has one million views already since it has been uploaded to youtube. Their latest is “Fall In Love” ຕົກຂຸມຮັກ. For more info check link below

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